Virgin Stripped Bare by Her Bachelors

The employment of a narrative of diptychs, title cards, and the artistic decision to shoot in monocolor alone would have vaulted Sang-soo Hong's ode to cinema halfway to realization without factoring in his recurrent and self-referential character stocks. Screenwriters and filmmakers. Such archetypes while not constants in his work still are reliable regulars in an oeuvre one would be wrong to classify as entirely meta. Continue reading