Virgin Stripped Bare By Her Bachelors (2000)

The employment of a narrative of diptychs, title cards, and the artistic decision to shoot in monocolor alone would have vaulted Sang-soo Hong's ode to cinema halfway to realization without factoring in his recurrent and self-referential character stocks. Screenwriters and filmmakers. Such archetypes while not constants in his work still are reliable regulars in an oeuvre one would be wrong to classify as entirely meta. Continue reading “Virgin Stripped Bare By Her Bachelors (2000)”

Bedevilled (2010)

Broad genres aside, featuring the slightest dose of retribution can relegate most cinematic endeavors to the confines of revenge and its conventions. And for BEDEVILLED (2010), following in the footsteps of the Korean thriller craze was always going to be a case of more of the same. This is a trend that made its entrance with Oldboy over a decade ago and is still active today. Typically such films are dressed as thrillers, combining either mystery, horror, or crime, with the option of gore or revenge on the side. Obviously there was no shortage of local luminaries churning out titles in this MO, with some even seemingly staking entire oeuvres on the genre. Except BEDEVILLED is a rare beast among novel predecessors. For a Johnny-come-lately to join the table with a meaningful contribution it is an exceptional feat. Continue reading “Bedevilled (2010)”