EL TOPO

“Credit the sixties for giving us the acid strip, jazz and now the Western,” I assume was the opening line of many an El Topo review had there been edgy online publications like Cinemaholism in 1970. Alas there wasn’t. And so it was now, in 2017, certainly overdue but not quite too late, that somebody had the opportunity to open with those precise words. And if it were up to me I’d go one further except modern time constraints prevent me from doling out more puns. Continue reading